the irig acoustic stage is a patented system that can be used with any acoustic or electro-acoustic guitar and allows a faithful and natural recovery of the instrument. it is made up of a high performance clip microphone and a digital preamplifier with a much higher output than any currently available piezoelectric or magnetic pickup model. the integrated dsp allows

this nt2-a is the evolution of the legendary rode nt2 microphone that made it famous all over the world. three three-position switches positioned on the body of the microphone to use polar patterns ranging from bi-directional and omnidirectional to cardioid; the possibility to choose the high pass filter setting between 40 Hz or 80 Hz flat, and use an attenuation

this nt1-a containing suspension complies with the needs of musicians and sound engineers who want a microphone that ensures clarity of timbre and great dynamic response. is a transformerless fet circuit based condenser microphone with a 1" capsule mounted on antivibration mount, which deliver outstanding performance in the recording, both vocal performances of both instrumental parts. high level components used

the p170 is a small diaphragm condenser microphone for acoustic guitars, overhead percussion recordings, and other stringed instruments. the lightweight diaphragm condenser transducer from 0.5 "delivers great clarity and exceptional transient response. the p170 uses the expertise of engineers from around the world and is considered a viable alternative to the legendary akg c451 b. main features:

- polar

this 2/3 inch diaphragm condenser microphone offers strength and performance of the highest level and carries the quality akg home-studio applications. the characteristic low-mass of his diaphragm ensures a high sound quality even at high frequencies, while the -20 db attenuator makes it suitable for shooting sources with sound pressure levels up to 150 db spl. to follow talking we

suitable for tools especially with percussion, amplifiers and wind instruments. the new p4 is equipped with a coil humbucking pickup for the effective elimination of noise from interference, and has an extended capacity in low. being dedicated to live, new microphones feature a sturdy metal case, a microphone grid strengthened, scratch-resistant finish and a value very high spl. following are

this professional dynamic microphone has been designed specifically for percussion, snares and toms, cardioid pickup pattern also can faithfully reproduce the sound avoiding background noises. following are the main features:

- polar pattern: cardioid
- dynamic transducer:
- frequency response: 50 Hz-16 kHz
- sensitivity: -55db ± 3db
- rated impedance: 200 or
- max input: 135dB SPL
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thanks to a redesigned condenser capsule and a 'wrapper' based on the metal frame of the predecessor 'X1', the new version signed 'A' of this large diaphragm microphone for vocals, drums and acoustic instruments, offers a sound even better and first class specifications at a cost "home studio". is characterized by an extremely natural frequency response, imposing SPL handling capability

this kit consists of boom arm, cable xlr- xlr and a unidirectional dynamic microphone that delivers outstanding performance for instruments (or vocal) amplification - thanks to the accurate frequency response profile is ideal for recording and live amplification - its extremely effective cardioid polar pattern isolates the main sound source and at the same time minimizes background noises, also in

the shure sm81 is a high-quality, unidirectional condenser microphone designed for studio recording, broadcasting, and sound reinforcement. its wide frequency response, low noise characteristics, and low rf susceptibility have made it a standard for applications involving acoustic instruments, especially guitar, piano, and cymbals. the sm81 is ruggedly constructed. it operates on phantom power and performs over a wide range of